Dr. Kathryn Ko -AMWA Artist in Residence Award
The Dr. Kathryn Ko AMWA-Artist in Residence Award was started in 2015 by Studio AMWA to promote women members in the arts. The role of the artist in residence is to create an artistic project that is pertinent to AMWA and women in medicine. This art will then be displayed (or performed) at the following year’s annual meeting. The award is funded by a gift from Kathryn Ko, M.D., MFA, “In Art We Trust”.
2022 – 2023 Artist in Residence: Sami Ali
Sami is an emerging artist who credits her passion for painting to her curious nature and her love of a challenge.
A Vietnamese refugee, Sami lived in Pennsylvania, Texas, Illinois, Alabama and Louisiana before settling in Alaska, so through the years she learned to be adaptable and find creative outlets for herself. She never shies away from a challenge, so the challenge of alla prima oil painting, especially plein air painting, appealed to her sense of creativity and reward. Her bold and whimsical approach to representational painting contributes to her modern style, as does her textural use of paint and her intuitive sense of color. She loves working in a wide landscape format as she sees the world through this dynamic lens, and she finds portrait painting analogous to completing the Sunday NY Times Crossword. Her 2022 art show “The Mind of a Healthcare Worker During the COVID-19 Pandemic” garnered international media attention.
Sami obtained her MD degree from the University of Alabama School of Medicine and her emergency medicine residency at LSU in Baton Rouge. She is a fellow of the American College of Emergency Medicine and continues to practice at the busiest emergency room in Alaska.
2022 – 2023 Artist in Residence: Leana Pande
Leana Pande is a self-taught artist in watercolor, acrylic paint, gouache, pen, and other media. She is currently a second-year medical student at the Touro College of Osteopathic Medicine. She graduated from Wilkes University in three years with a double major in Neuroscience and Psychology. Her work has previously been published by the American Medical Student’s Association and the Geisinger Commonwealth School of Medicine. She had a solo exhibition in Northeastern Pennsylvania in 2021 in the Wyoming Valley Art League Circle Centre for the Arts. She has also previously taught watercolor in the Everhart Museum in Scranton, PA.
Leana paints realistic and stylistic medical anatomy from her personal interest in science and medicine. She paints this subject because she wants others to see the natural beauty in anatomy she can see through her passion for science and art. She also paints realistic and stylistic medical anatomy, as well as other natural landscapes and animals.
2021 – 2022 Artist in Residence: Zainab Mabizari
2020 – 2021 Artist in Residence: Karen Poirier-Brode
Karen left the Canadian Prairies, for medical school at McGill University in Montreal. An OBGYN residency was followed by subspecialty fellowship in Psychosomatic OBGYN and Pediatric Adolescent OBGYN, at UC Davis Medical Center in Sacramento, CA. She retired from her last position at Kaiser Permanente where she worked for 20 years as an OBGYN physician, and also as chair of the OBGYN Department at Dameron Hospital and Chief of Pharmacy and Therapeutics for Kaiser Permanente’s Central Valley. Since retirement Karen has pursued many interests including hosting A Creative Approach Podcast and attending art school at Los Rios Community College in Sacramento. Her art is featured at <http://artofkarenpoirierbrode.blogspot.com/>.
2019 – 2020 Artist in Residence: Somalee Banerjee
As the AMWA Artist in Residence, Dr. Somalee Banerjee is planning to explore a body of work that centers around the intersection of medicine, feminism and craft. The practice of craft –for example, knitting, sequinning, sewing –has been a traditionally feminine field that has not been accepted into mainstream art until most recently, when it has been more championed by male artists. As a hospitalist, her work will center around making mixed media paintings of organs using paint, sequin and thread to create altars to organs in various states of age and health as an pay homage to all her patients. The care that goes into these traditionally feminine crafts in a way mirrors the detail-oriented time and care that physicians provide. This body of work will showcase a rare voice in art: that of a of female physicians with her unique view of the art of medicine. In addition, she is working with colleagues in the arts education field to develop and implement a simply reproducible curriculum to implement medical education through workshops at art museums to strengthen observation and communication skills while providing the space to discuss difficult topics encountered by medical trainees.
(click for larger view)
2018 – 2019 Artist in Residence: Vidya Viswanathan
Vidya Viswanathan, AMWA’s 2018-19 Artist-in-Residence, is the founder and president of Doctors Who Create, an organization promoting creativity in medicine. She is also a fourth-year medical student at the University of Pennsylvania. She received her BA in Social Studies and a citation in Mandarin Chinese from Harvard College. She writes about medical ethics, social change, innovation, and narrative medicine, and her work has been published in The Atlantic, The Establishment, and MedTech Boston. Check out the Doctors Who Create website (www.doctorswhocreate.com) and Twitter page (@doctorscreate) to learn more about her organization, and visit www.vidyaviswanathan.com to read samples of her writing.
2017 – 2018 Artist in Residence: Hiba Ibad
I am a third-year medical student at Baylor College of Medicine in Houston, Texas, who is pursuing a career in orthopedic surgery. Since college, I have identified with ceramists, and today continue to use my artistic ability to help influence my community through charities, like the Empty Bowls event mentioned in my letter of intent. Over the course of my medical training, I have found that, like my identity in medicine, my artistry has changed. I would like to use the evidence of this transformative experience to encourage other women to allow medicine to mold them into pioneers.
My earlier works have traditionally feminine element to them; these pictures are of vessels that resemble the Turkish teacups, sometimes called “tulip teacups.” The pictures are angled to emphasize the smoothness of the teacup rims, the soft golden hues of colors chosen, and the symmetry of each teacup. The tulip shape emphasizes their innate femininity. These teacups are used to represent a preclinical students willingness to drink in the knowledge presented before them. On the inside of the teacups, the darker purples and red gives a physical form to the inner turmoil and smoldering nature of the earlier phase of transformation. These vessels were purposely made using basic pottery techniques and using a regular electric kiln.
This vase has a considerably rougher surface, almost resembling the scales of dragon. As I have mentioned, I have been experimenting with different firing techniques to harden pottery; this rough quality was accomplished by using a wood-fire kiln, where an actual wood fire is made and the ash created is what merges with the clay to make the scales. Instead of using an object of utility, like a teacup used to drink tea, I chose to create a decorative half-vase-half-bowl, which arguably has only one utility—to be decorative. My hope is to use this fact to address a common fear a lot of my peers have voiced: in the process of transformation, we become something in the middle, something with no real use outside of existing and not worth the sacrifices made. And, while this fear may be a possibility, that so long as we continue to work and grow we will become what we wanted to be, which will be represented in the installments I work on this coming year.
2016 – 2017 Artist in Residence: Shilpa Darivemula
Shilpa Darivemula is both a scientist and an artist. A fascination for science and a love for conversation directed Shilpa towards medicine while her training in Kuchipudi and her exposure to various traditional dances drove her towards movement. Kuchipudi is one of seven classical dances from India, a form that requires exquisite footwork, hand gestures, and facial expressions to narrate stories of Hindu mythology.
Shilpa began training in Kuchipudi at the age of 8 with Ms. Sasikala Penumarthy at the Academy of Kuchipudi Dance and performed her solo debut recital—her Rangapravesham—in 2011 with Ms. Anuradha Nehru and Mr. Kishore Mosalikanti at the Kalanidhi Dance school.
Captivated by the power of dance, Shilpa developed projects to use it as a tool for community development, spending her summers in college teaching dance to inner-city youth in Schenectady, interning in Dance Movement Therapy at Ellis Hospital, and teaching refugee women to share their traditional dances in a weekly women’s group at RISSE in Albany. In her senior year at Union College, she directed and choreographed Anamika, a mixed-media piece that combined ballet, praise dancing, and Kuchipudi, to serve as a call to action against the harms of human trafficking. She was the recipient of a 2013-2014 Thomas J. Watson Fellowship to study the connection between traditional dance cultures of the world, their healing systems, and their current states of healthcare delivery. She has performed at the United Nations Commission on the Status of Women (2014) and at the International Dance Festival in Fes, Morocco (2015).
Currently, she attends Albany Medical College as a second-year student and continues to merge medicine and dance by working with artists and administration on using arts to increase social and self-awareness in communities, both inside and outside the medical school.
Inspired by the the traditional dances and stories of women facing illness and health, Shilpa started the Aseemkala Initiative. This initiative–which is Sanskrit for “arts beyond boundaries”–uses traditional dances to narrate stories of women in medicine from all cultures around the world. These are stories of physcians, healers, patients, and their families as told through the mudras and movements of Kuchipudi and Bharata Natyam and hopefully, in the future, more traditional dance forms. Click the button below to check out the Aseemkala Initiative for more information about the project and for information about the AMWA Artist-in-Residence dance piece.
Article published during AIR:
Art in Waiting Room Article
2015 – 2016 Artist in Residence: Kathryn Ko MD, MFA
Dr. Kathryn Ko is a Neurosurgeon in New York City and a multi media artist.
She is the co-producer of the YouTube Channel NeurosurgeryLeFreak exploring the intersection of art and medicine.
Find Dr. Ko’s art on Instagram @doc_ambidexter Dr. Ko is a self taught ambidexter. To read about this process check this link.